Objects
in Conversation is an encounter.
A
gathering of ideas suspended in anticipation, the exhibition invites its
audience to imagine designed objects in dialogue. Positioned as protagonists
and gathered across generations, the objects recount stories of a collective
journey in defining a Bangladeshi design identity. Organized around four thematic
inquiries, the exhibition reveals investigations about materiality and climate,
reductionism and resources, heritage and modernity, and a philosophical and
spiritual quest for the collective self. Spanning
fifty years of designed objects post-independence, the pieces bear witness to
their social, economic, and cultural contexts, responding to a society in
transition. Illuminating individual and collective aspirations, inquiries, and
debates, the collection of objects acts as a mirror reflecting a cultural
ethos. Encountering the objects creates an opportunity for us as the audience
to re-examine our current relationship to our created environments while
reflecting on the objects’ inherited and embodied values.
In
‘Objects in Conversation,’ Bangladeshi design emerges with ingenuity, humility,
and restraint. The Bangladeshi approach is uncomplicated - a simple respect for
resources and people in one of the most densely populated places in the world.
The objects reveal an acknowledgment and celebration of limited available
materials and production techniques, poetically translated into a design
challenge and opportunity. Materiality is considered with temporality and
climate, designed to weather with the seasons, and age with patinas of use.
Production can be considered primarily as a relationship, where innovations
occur through the collaborative process between designer and maker.
To
reflect on the designs and understand the objects requires a reflection on the
various contexts from which they were born. We invite the audience to
participate in the encounter, which is also a celebration of a shared and
continuing journey.
Curatorial
Team:
Diane Rhyu Taylor
Bishwajit Goswami
Ulrike Fellner
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This exhibition tells us
that every architect is an artist, and every artist may
be an architect.
We
have architects and artists coming together, their objects in very meaningful
conversation with each other. Objects also exist independently within a
system, like language itself; you can identify linguistic elements, but they
all have relationships. Mixture is important.
Manzoorul
Islam
Academic, Cultural critic, Writer